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After a father is given recordings from a mysterious stranger, he starts to receive communications from his deceased daughter. While he tries to decipher the messages, he starts to suspect that his support group has ulterior motives.
Two modern-day cowboys meet on a shepherding job in the summer of ’63, the two share a raw and powerful summer together that turns into a lifelong relationship conflicting with the lives they are supposed to live.
Tanaka is going through a tough time trying to support his younger sister Mitsuko, recently arrested and hold up in jail. As an investigative reporter, he immerses himself into a story about a shocking murder case gone cold; a family was brutally murdered a year ago and the case remains unsolved.
Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can’t tolerate ignorant and topically abusive comments on the “Internet” anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
Not to be used with false consciousness or silicone-based lubricant.
In a near future, due to the effects of an uncompromising law on the eco-sustainability of supports, paper has become a rare item, a luxury possession, controlled by the “Big Z”: Zimurgh Corporation.
Over a month has passed since 10,000 users were trapped inside the “Sword Art Online” world. Asuna, who cleared the first floor of the floating iron castle of Aincrad, joined up with Kirito and continued her journey to reach the top floor. With the support of female Information Broker Argo, clearing the floors seemed to be progressing smoothly, but conflict erupts between two major guilds who should be working together – the top player groups ALS (the Aincrad Liberation Squad) and DKB (the Dragon Knights Brigade). And meanwhile, behind the scenes exists a mysterious figure pulling the strings…
The company soldier Hannah and the scientists Gavin and Dimitri are researching an algae project on board the Rubikon space station, which is supposed to permanently supply humanity with oxygen and food. But suddenly the earth disappears below them in a brown, toxic fog and all contact is broken off – are they the last survivors of humanity? Should they initiate the safe station, dare the return flight and thereby risk their lives?
Dr. Steven Greer’s previous works, SIRIUS and UNACKNOWLEDGED, broke crowdfunding records and ignited a grassroots movement. CLOSE ENCOUNTERS OF THE FIFTH KIND features groundbreaking video and photographic evidence and supporting interviews from prominent figures such as Adam Curry of Princeton’s PEAR Lab; legendary civil rights attorney Daniel Sheehan, and Dr. Russell Targ, who headed the CIA’s top secret remote viewing program. Their message: For thousands of people, contact has begun. This is their story.
Fashion assistant Maca has just about got her life together after a devastating breakup, when Leo, the man who broke her heart returns. Seeking support from best friends, Adriana and Jime, all three will learn love can be complicated.
The story of three lifelong friends who overcame domestic violence, substance abuse and depression to form Life of Agony, one of the most influential bands in its genre, led by the very first openly transgender singer. Through the success of their groundbreaking 1993 debut “River Runs Red”, hailed by Rolling Stone as “One of the Greatest Metal Albums of All Time”, they channeled their cumulative life stories into a soundtrack for a broken generation. This new found fame allowed them to suppress the tragedies of their past, but in its wake new obstacles arose.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former’s parents, who have insisted their son take part in an arranged marriage to his boss’ daughter.
After surviving an IED explosion in combat overseas, a young soldier with the Army Motorcycle Unit is medically discharged with a broken back and leg. Against all odds he trains to make an impossible comeback as a motocross racer in order to support his family.
With his wife Elizabeth on life support after a boating accident, Hawaiian land baron, Matt King takes his daughters on a trip from Oahu to Kauai to confront the young real estate broker, who was having an affair with Elizabeth before her misfortune.
Reg and Lindsay run an organic fertiliser business. They need a fresh supply of their “secret ingredient” to process through the meat grinder. Reg comes across two guys and a girl with a broken-down vehicle on their way to a music festival.
In the year 2029, the barriers of our world have been broken down by the net and by cybernetics, but this brings new vulnerability to humans in the form of brain-hacking. When a highly-wanted hacker known as ‘The Puppetmaster’ begins involving them in politics, Section 9, a group of cybernetically enhanced cops, are called in to investigate and stop the Puppetmaster.
US Army sergeant Cody Cullen’s horror tour in Afghanistan ends when his mate Jonesy is blown to pieces while they deliver medical supplies in Nurestan. Cody is sent home to return private possessions to Jonesy’s bride turned widow. On his way home he passes Nevada City, California, where he meets Faith Spelman, who writes the parish’s Christmas cards to lonely soldiers, coincidentally including him, an orphan. He happens to save her dad Luke from a serious car run-over. The Spellmans invite Cody home for dinner, then the Christmas tide. He proves a great help in the family logging firm. Vietenam vet Luke wants Cody as son-in-law, but although charmed, Faith still seems committed to rarely present fiancé Paul, a wine broker.
When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.
Milton, a college dropout, was only supposed to cook meth for one day. Broken out of rehab by a brash young woman and her trigger-happy (“ex”) boyfriend and driven to a remote cabin the woods, Milton finds himself drawn into a dangerous love triangle gone haywire. The couple’s deadpan half-truths spin around Milton like a song on repeat. They seem to read him like an open book, until a mysterious message opens his eyes to his cursed existence. With unlimited ammunition, any hunting tool they could desire, and an ever-growing body count, for what did Milton really sign up?
Raised in a broken home, Cody (Tim Torok) is a troubled man with a history of addictions and crime. While Cody serves time in the county jail, his mother, Pam (Penny Carlisi), begins to question her faith as she suffers constant grief from watching Cody’s poor choices. Then, with the support of her prayer group, she realizes that only God can heal her pain, restore her faith, and save her son.
During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia’s Indigenous history in the unadorned words of those who lived it.
In 1999 Aaron Baker broke his neck in a motocross accident, leaving him completely paralyzed from the neck down. Despite doctor’s grim prognosis over the next 16 years Aaron decided not to listen to those who said ‘he had a million-to-one odds of ever feeding himself again’ and instead, through painstaking effort, endeavored to regain as much mobility as possible. This journey through the unknown took him from the depths of depression to the joys of cross country road tripping via tandem bicycle with his mother and friends, and finally, culminated in his opening a socially conscious low cost gym focused on increasing mobility for the disabled. Now in Coming To My Senses we watch as Aaron takes one final journey which symbolizes his recovery: to cross a 20 mile tract of Death Valley unsupported on foot. But will he make it?
Charles Swan III, a successful graphic designer, has it all: fame, money and devilish charm that have provided him with a seemingly perfect life. But when a perplexing beauty named Ivana suddenly ends their relationship, Charles is left heartbroken. With the support of his loyal intimates – Kirby, Saul, and his sister, Izzy – Charles begins a delirious journey of self-reflection to try and come to terms with a life without Ivana. “A Glimpse Inside the Mind of Charles Swan III” is an unconventional melodrama told in a bold and playful style.
In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
Amidst a viral outbreak, a broken man finds refuge in a storage shed in order to escape the violence, but accidentally traps himself inside. Isolated, alone and low on supplies, he is quickly stripped of all his humanity as he struggles to survive. As the days go by, the deteriorated man must rebuild his inner strength to escape, and finally confront his ultimate fear.
Behind the facade of a beautiful urban home, a combination of complacency and bad investments has left power couple Ben and Gail disconnected, resentful and just about broke. When the cash-strapped yuppies fire their teen-aged daughter’s lesbian Mexican nanny, Margarita, they set off a chain of events that lead to her deportation.
